“The Namesake” by Jhumpa Lahiri

For being a foreigner, Ashima is beginning to realize, is a sort of lifelong pregnancy – a perpetual wait, a constant burden, a continuous feeling out of sorts. It is an ongoing responsibility, a parenthesis in what had once been ordinary life, only to discover that that previous life has vanished, replaced by something more complicated and demanding. Like pregnancy, being a foreigner, Ashima believes, is something that elicits the same curiosity from strangers, the same combination of pity and respect.

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Quickly, simultaneously, he falls in love with Maxine, the house, and Gerald and Lydia’s manner of living, for to know her and love her is to know and love all of these things.

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She has the gift of accepting her life; as he comes to know her, he realizes that she has never wished she were anyone other than herself, raised in any other place, in any other way.

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After so much work it is no work at all.

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And yet these events have formed Gogol, shaped him, determined who he is. They were things for which it was impossible to prepare ut which one spent a lifetime looking back at, trying to accept, interpret, comprehend. Things that should never have happened, that seemed out of place and wrong, these were what prevailed, what endured, in the end.

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